'New Year Island', which is the first chapter of my work-in-progress Diemens, recently received a Highly Commended certificate in the Stringybark Short Story Award 2022. The winning and highly commended stories appear in Fruitcake Frenzy from Stringybark Publishing.  

​Meanwhile 'The Empire Never Ended', my latest nonfiction piece related to Tasmania, has been accepted to appear in an upcoming issue of The Saltbush Review.

​My non-fiction piece 'In lutriwita' recently appeared in Issue 16 of Traces, which is available in newsagencies. It is also available to read free online over here at Backstory Journal. This is my first piece of Tasmanian writing to see publication and there will be more like it over the next few years as I work on my PhD in Tasmanian Fiction at Curtin University. 

​I have a travel piece about Covid-19 and Tasmania, 'Travel Derangements', published online and free to read as part of the Van Diemen Decameron.
​

I’m very pleased to announce that my short story, ‘Mr Agoo’, has found a home in Not keeping mum: Australian writers tell the truth about perintatal anxiety and depression in poetry, fiction & essay. All proceeds from the sale of the book will go to  Perinatal Anxiety and Depression Australia. I’m especially chuffed to be the only male author in the book. You can check it out here:
​

https://au.blurb.com/b/10013951-not-keeping-mum-australian-writers-tell-the-truth

Some welcome news on the publishing front: three of my short fiction pieces have been selected for inclusion in two anthologies, one in the U.S. and the other here in Western Australia. “Ray”, which was shortlisted for the Sutherland Shire Literary Competition, is slated to appear in the second annual Archipelago  anthology from Seattle publisher Allegory Ridge. “Ray”, set on Tasmania’s Bruny Island, is about one man’s journey as south as he can go with two small children in tow. I’m stoked to have finally found a home for this story and a wonderful home it is too, albeit one on the far side of the globe.

Secondly, two of my flash fiction stories, “Super Snipe” and “The Ballard”, appear in Once: A selection of short short stories from new WA outfit Night Parrot Press. I recently attended the Perth launch for this anthology and met some of the other authors included herein, as well as editors Linda Martin and Laura Keenan. “Super Snipe” is about a love triangle involving a vintage car and “The Ballard” is my love letter to the late, great J. G. Ballard.​

I have a handful of other stories doing the rounds presently, so with luck I’ll be able to report on further publication successes in the near future. Here’s hoping!

Ever wondered what a lonely wine bottle thinks about once the wine has been imbibed? If so, you can explore the ‘Room’ as part of #DWF2018 and listen to six writers’ tales on the secret lives of inanimate objects. The Digital Writers Festival starts today and runs until Nov 3rd.
http://2018.digitalwritersfestival.com/event/room/

Meet Tyler Bramble, the grimy future’s answer to Philip Marlowe. Armed with what he considers to be a razor-sharp wit and what his supervisor considers to be a troubling history vis-a-vis illicit pharmaceuticals, Tyler takes on drug dealers, dodgy doctors and extortioners, and it’s all in the name of the long suffering Victorian taxpayer. These Bramble Noirs—wise cracking, off-beat, occasionally zany tales in a post-apocalyptic Melbourne—reboot Raymond Chandler for the twenty-first century, critiquing toxic masculinity and poking fun at the tired tropes of the tawdry PI genre along the way. At least that’s what it says on the label.
You can read an extract from ‘Blue Swirls’ here.
PRESS RELEASE
The Carmel Bird Digital Literary Award longlist announced
Eleven finalists have been announced by renowned Australian author Carmel Bird in the first year of the Carmel Bird Digital Literary Award.
Launched at the State Library Victoria in December 2017, The Carmel Bird Digital Literary Award showcases new works of short fiction from Australian and overseas writers. The longlist was judged from a field of over 130 submissions, including short story collections as well as novellas, many of which included digital narratives with multimedia elements.
Carmel Bird was pleased with the diversity of entries to the award: “I was surprised and delighted to see the large number of entries, coming from a great range of writers, some of whom were unpublished, many of whom were students in writing courses, and others who were established writers.”
“It was fascinating to observe what was a kind of broad snapshot of the thinking and practice of fiction-writing in Australia today. The energy of so much of the work, the range of subject-matter, and the confidence in the use of language and form were a source of great pleasure,” Ms Bird said.
Finalists in the 2018 Carmel Bird Digital Literary Award will be showcased by State Library Victoria via the online platform, Tablo. Visitors to Library’s Tablo page will be able to read and respond to an extract from each submission. The three winning entrants will receive cash prizes totalling $5000 as well as publishing agreements with Spineless Wonders. The winners will be announced in September.
Justine Hyde, State Library Victoria’s Director of Library Services and Experience, said the Library was always looking for new ways to shine a light on digital writing: “The Carmel Bird Digital Literary Award is a great way for us to highlight talented and creative authors who bring together the literary and digital worlds. We are thrilled to support this award in unearthing innovative and exciting new digital work.”
The longlisted entries are:
Ashley Kalagian Blunt, Flicker of Justice, No More
Craig Cormick, Everybody Loves a Good Cook Book
Susie Greenhill, Maps for the Lost
Mel Hall, Goodbye Tom Morrow
William Lane, Small Forest
Catherine Moffat, Remnants of Sound
Ruairi Murphy, Two Sets of Books 
Arna Radovich, Mosaic of Loss
Bronwyn Rodden, Darkness
Guy Salvidge, The Dying Rain – And Other Forays into the Bramble Noir
Beth Spencer, The Age of Fibs

On Sunday 3rd December I was honoured to receive the 2017 Joe O'Sullivan Writers' Prize from the Australian Irish Heritage Association for my story 'The Centre Cannot Hold'. The award was presented by Denis Bratton of the AIHA at the Irish Club in Subiaco in conjunction with the annual Brendan Awards. I was made to feel very welcome indeed and was treated to an afternoon of singing, laughing and of course a couple of pints of Guinness! 'The Centre Cannot Hold' will shortly appear in the AIHA's quarterly publication, The Journal, as well as on their website.  Thanks very much to Denis and the rest of the Perth Irish community for making my day/month/year.